When we think of Rabindranath Tagore in relation to the Krishna-Caitanya religio-literary tradition of Bengal, his youthful Bhanusimher Padaboli immediately come to mind, as they should as the most explicit treatments of a Vaishnava theme in all of his immense literary corpus. But we may also ask what other indications there may be of resonances and dissonances vis-à-vis the Vaishnava tradition elsewhere in his prose and poetry, especially as he grew older. This lecture first reviews his family’s Vaishnava affinities, especially among the women, and the countervailing critical attitudes and policies of the Brahmo Samaj of which he was for some time secretary. It then attempts to assess in what ways and to what degree underlying characteristics of Bengali Vaishnava piety and aesthetics may be reflected or rejected, implicitly if not explicitly in the works of the mature Rabindranath.
Menu