Beginning with the early medieval period, this paper traces the development of Hinduism in devotional (bhakti) and tantric traditions. The paper examines the development of Śaiva, Śākta, and Vaiṣṇava traditions along with ideas about liberation, ritual, asceticism, yoga and devotion. There will be some exploration of Hinduism and Modernity and there may also be reference to major schools of Hindu philosophy such as Vedānta.
Archives: Lectures
Readings in the Netra Tantra (HT13)
The Netra Tantra is an important early medieval Śaiva text. We will read and discuss sections of the text based on the two manuscripts in the NGMPP Library and compare these with the published KSTS edition. Apart from reading the text we will discuss its meaning.
Hinduism 2, Hindu Traditions (Paper 21)
Beginning with the early medieval period, this paper traces the development of Hinduism in devotional (bhakti) and tantric traditions. The paper examines the development of Śaiva, Śākta, and Vaiṣṇava traditions along with ideas about liberation, ritual, asceticism, yoga and devotion. There will be some exploration of Hinduism and Modernity and there may also be reference to major schools of Hindu philosophy such as Vedānta.
The Cartography of Subjectivity and Consciousness (HT13)
Mapping the Mystical Self Series
Graduate Seminars in Indic Religions 1
Convenors: Lucian Wong and Tristan Elby
This series of seminars will provide a lively and thought-provoking forum for graduate students from across the disciplines to present their latest work on any of the Indic religions, creating an opportunity for regular discussion and cross-fertilisation among students in this area. It will be held fortnightly in Hilary term (weeks 2, 4, 6, 8) on Fridays from 4pm–5pm, with a chance for informal discussion afterwards over refreshments. Each seminar will feature two papers on related themes or subjects, of about 20 minutes each, with a chance for questions after each paper. Any graduate students working on, or otherwise interested in, Indic religions, are warmly invited to attend.
Hanumān, a Four-fold Axis Mundi Mediator? Liminal Identity of the Messenger Monkey
Matt Martin, Wolfson College, Oxford
Fusing textual, theological and ethnographic methodologies, this interdisciplinary paper will bring to the fore some interesting elucidations concerning Hindu traditions’ most popular theriomorphic deity, Hanumān. I will suggest that Hanumān exhibits, by-and-large, all of the characteristics ascribed to a quintessential liminal mediator, and that his shaman-èsque tendencies (derived from this mediatory affiliation) are not merely confined to the literary boundaries of the Ramāyāṇa, but are more widely evident on both cosmic and social levels. In brief, I will consider Hanumān’s liminal mediator nature in relation to the following issues: the mythological flights of Hanumān as documented in the Ramāyāṇa; Hanumān as a theological nexus and cosmic Axis Mundi; and finally Hanumān invoked during healing exorcism rituals, manifested in his Balajī (child-like) persona.
Archaeology of personhood in Early Historic India
Ken Ishikawa
The present paper discusses the concept of personhood in Early Historic South Asia from anthropological / archaeological perspectives, focusing on Indic divine personality.
The construct theory of personhood has been employed in archaeology to explore the idea of personhood in the human past. The person in this context refers to humans, animals or objects. Personhood is constructed through relationships not only with other humans in the society but with all aspects of the world around them. One of the fundamental questions thus is in what context inanimate objects, events or places attain ‘personhood.’
Personhood in traditional India is largely characterized by dividuality, in which the person is considered as a composite of so-called substance-codes that can be transmitted interpersonally. In my view, divine beings display this dividuality with its temporal and transformative nature as seen in the classical example of Ardhanarīśvara, who is half Śiva and half Pārvatī. I will investigate to what extent Indic Gods can be characterized by dividual personhood by looking at archaeological, art-historical, textual/epigraphic and ethnographic evidence from Early Historic South Asia and beyond.
My key case studies include: 1) a manifestation of social interactions: the relic cult and image worship in Indian Buddhism (with ethnographic reference to relics of the Jagannath image), 2) multiplicate personhood: Seven Buddhas of the past in Indian art 3) Avatāras: Buddhist/Jain fusion art of Gujarat and the interchangeability of the 9th avatāra between Buddha and Jain Ādinātha; the divine ‘avatāra’ kingship during the Gupta period.
Readings in the Netra Tantra (HT13)
The Netra Tantra is an important early medieval Śaiva text. We will read and discuss sections of the text based on the two manuscripts in the NGMPP Library and compare these with the published KSTS edition. Apart from reading the text we will discuss its meaning.
Hinduism 2, Hindu Traditions (Paper 21)
Beginning with the early medieval period, this paper traces the development of Hinduism in devotional (bhakti) and tantric traditions. The paper examines the development of Śaiva, Śākta, and Vaiṣṇava traditions along with ideas about liberation, ritual, asceticism, yoga and devotion. There will be some exploration of Hinduism and Modernity and there may also be reference to major schools of Hindu philosophy such as Vedānta.
The Other Trinity: Saurashtra Histories of Karnatak Music
In this paper I examine the place of Veṅkaṭaramaṇa Bhāgavatar (1781-1874), Kavi Veṅkaṭasūri (1818-1890) and Nāyaki Svāmikaḷ (1843-1914)–three nineteenth century figures—in the Saurashtra reimagining of the history of the South Indian music tradition. Worshipped as the mummūrti, these three poet/saint/musicians are regarded by the Saurashtra community of Madurai as the alternate to the deified figures of Tyāgarāja, Muttusvāmi Dikitar and Śyāma Śāstri, canonical to the South Indian classical tradition as it develops in the late nineteenth and early twentieth centuries. Engaging with recent scholarship of the cultural histories of South Indian music, my paper moves us from Chennai to Madurai and to the (continuing) work of the Saurashtra community in rewriting the script for South Indian music.
Tantric Dimensions of the Rāsa Maṇḍala: The Bhagavata Rāsa Līlā and the Artistic Imagination
The focus of this presentation will be two-fold. First Schweig will bring out tantric dimensions of the Bhāgavata’s Rāsa Līlā: the yantra-like narrative, the feminine power of the Vraja Gopikās over divinity, the līlā of divine love as arranged by the Goddess, etc. Second, Schweig will focus on the symbolism of the Rāsa Maṇḍala by examining key elements of the passage and ways in which its tāntric character influences its artistic renderings. Schweig will argue that the imagery of the Rāsa Mandala functions as a bhakti-yantra. Through līlā-smaraṇam practitioners enter the world of the dance, becoming eternal participants in it. Contemplation and participation become one by virtue of the power of this bhakti–yantra. The centripetal, centrifugal, circumferential and centrifocal dynamics of the Rāsa Mandala circle as they function as powerful inner mechanisms within bhakti, and as expressions in artistic renderings of Rāsa Maṇḍala, will be presented.
Graham M. Schweig is currently Professor of Religion and Director of the Asian Studies Program at Christopher Newport University; he is a regularly invited lecturer at the Smithsonian Institution in Washington, DC. Schweig is the author of Dance of Divine Love: India’s Classic Sacred Love Story(Princeton 2005). His most recent edited publication is A Living Theology of Krishna Bhakti: Essential Teachings of A.C. Bhaktivedanta Swami Prabhupāda (Oxford 2012).
The snān-yātrā of Salkia: Contrasting voices on possession and animal sacrifice in contemporary Bengal
The snān-yātrā is a pilgrimage celebrated once a year in the town of Salkia (Howrah district, West Bengal). Attracting thousands of pilgrims, the festival is the occasion to celebrate Śītalā as Choṭa Mā, a loving and benevolent protective mother. The yātrāemphasises devotion but is also an arena for tense performances. Phenomena of individual and collective possession (bhar) are extremely common and are viewed as a much needed proof of the auspicious presence of the goddess. But possession is also a way to claim (or challenge) power in and across specific contexts (family, jāti, gender, political circles, etc.). It is thus not unusual that many (especially women, or non-Bengali migrants) are accused to cheat, to enact fake possessions, or to be ‘mad.’ Contention also features the day after snān-yātrā, which is dedicated to Bao Mā. This form of Śītalā is radically different. Bao Mā is believed to be potentially dangerous, and is a hungry goddess. The ritual killing of animals (balidān) is the distinctive feature of her service, a performance aiming at pleasing, feeding and thanking the goddess. Regardless of its importance, balidān does not enjoy much popularity. Temple attendance is limited to locals and the sebāits of the temple are indicated by outsiders as ignorant and violent. Such views are validated on a broader scale. In contemporary Bengal practices such as possession and sacrifice are objected by intellectuals and teachers, the middle class, the media and religious authorities from all faiths. In this climate, many facets of local folklore are increasingly dismissed, diminished and ridiculed (often aggressively) as a heterogeneous bunch of backward practices and superstitions. The snān-yātrā is not just an occasion to experience local variations of Śītalā and the gentrification of the goddess. This paper, part of a larger study on Śītalā and medical folklore in North India, reflects on the meaning and destiny of vernacular culture in contemporary India.
Professor Ferrari was educated in Indology and South Asian languages and literatures (Hindi and Sanskrit) at the University of Venice (Italy) and received his PhD from the School of Oriental and African Studies (University of London) for a study on Bengali folklore. After teaching South Asian religions and Religious Studies for two years at SOAS, he joined the University of Chester in 2007. He is an active fieldworker and regularly conduct ethnographic research in India. He specialises in the study of vernacular Hinduism and folklore and is particularly interested in ritual healing and therapeutic possession; ritual theory and Marxist approaches to the study of religion.