Dr Bihani Sarkar
24 February 2021, 2.00-3.00
Abstract: In studies of religious history in early India, inscriptions have sometimes been overlooked as conveying ‘mundane’ information about secular aspects of religion considered unimportant. Religious texts, philosophical and liturgical, and practices, on the other hand, have received comparatively greater interest as vehicles of doctrine, mythology and tradition. In recent years, scholarship on Indian religions has begun to show the importance of inscriptional material for a more precise historical and conceptual understanding of Indian religious traditions from the ‘early medieval’ period, Śaivism, Vaiṣṇavism, Tantric Buddhism and Śāktism. Not only do these pieces of material history offer basic information needed for the construction of any historical argument, such as dates, names, and places, but they can reveal wider conceptual and political narratives. How were deities conceived and described? How did temples grow powerful? How did local deities grow powerful? Why were donors making grants? Who were the donors? What kinds of donations did they make? What rituals were performed for the recipient deities? Which were the important devotee-lineages? And much more.
This lecture focuses on the historical insights epigraphical evidence offers for our understanding of the development of the Goddess’s worship. Between the 7th and the 13th centuries CE, many epigraphs, etched on copper or stone slabs, on cave-temple entrances, or on the bases of statuary, were commissioned by subcontinental rulers and communities, which formalized grants to powerful forms of the Goddess and asserted devotion to them. These sources attesting Śākta piety plot the process of patronage of the Goddess cult, the consolidation of political authority through such patronage, strategies involved in the formation of kingdoms, who the worshippers of the Goddess were, modes of her worship and the chief geographical centres of her influence.
Dr Bihani Sarkar: is Lecturer (Hourly-Paid, fixed term) in Religious Studies: Hinduism and Buddhism (University of Winchester), Associate Faculty Member of the Oriental Institute (University of Oxford), and Research Member of Common Room, Wolfson College (University of Oxford). Bihani’s publications include
Heroic Shāktism: The Cult of Durgā in Ancient Indian Kingship, (Oxford University Press, 2017) and
Classical Sanskrit Tragedy: the concept of suffering and pathos in Medieval India (Bloomsbury, forthcoming 2021).
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Prof. Mandakranta Bose
19 May 2021, 2.00 – 3.00
Abstract: The recognition of the feminine as the animating power of existence is at the centre of Hindu religious thought and encapsulated in the concept of a female divinity, a goddess figure imagined in many forms but conceived as the unity termed śakti. It is she who is the active source of creation and its motive force. In principle, all women represent her in varying degrees, but since they do so mainly in her protective and nurturing functions, women’s social worth is measured in terms of their self-effacing service to their families. This selective application of religious thought has confined women’s roles within the home and the family, leaving them bereft of action and authority in the larger world. In recent decades women in Hindu society have attempted to reverse this power imbalance by asserting the unity of femininity and powerful goddesses, especially Kālī and Durgā. In this presentation, I will examine the idea of the divine feminine and trace how it has shaped the lives of women in Hindu society.
Prof. Mandakranta Bose: MA (Calcutta, UBC), MLitt, DPhil. (Oxon),
Fellow of the Royal Asiatic Society of Great Britain, the Royal Society of Canada, and the Oxford Centre for Hindu Studies, is Professor Emerita at the University of British Columbia, and former Director of its Centre for India and South Asia Research. She taught there in the departments of Religious Studies, Gender and Womens’ Studies, and the Institute of Asian Research. Professor Bose holds degrees in Sanskrit and Comparative Literature from the universities of Calcutta, UBC and Oxford. She specializes in Sanskrit texts of dramaturgy, religions of India, the Rāmāyaṇa, and Gender Studies, with major publications in all these fields. Her most recent publications are: Women in Hinduism (Oxford: in press with OCHS, 2021); “Dance in the Sanskritic Tradition: Building Bridges Between Text and Performance,” (article to be published in a memorial volume for the late Kapila Vatsyayan, Delhi: D. K. Printworld, 2021); The Goddess (Oxford: Oxford University Press, 2018); The Ramayana in Bengali Folk Paintings (New Delhi: Niyogi, 2016); “The Ramayana in the Hindu Tradition,” in Oxford Bibliographies in Hinduism (Oxford online 2016); “Theology, Sexuality and Gender in the Hindu Tradition,” in the Oxford Handbook of Theology, Gender and Sexuality, ed. Adrian Thatcher (Oxford: Oxford University Press, 2015).
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Prof. June McDaniel
16 February 2022, 2.00-3.00
Abstract: The study of Shaktism is a relatively new field, and its primary methodologies have been historical and textual study. In this lecture, we shall examine some modern approaches to Shaktism, from the perspectives of practitioners and devotees. The regional focus will be West Bengal, India. Among practitioners today, there tend to be three strands or styles of Shakta understanding and practice. The first is the folk or tribal strand, which involves possession trance, dream commands and animism; its focus is a goddess immanent within nature. The second approach is the tantric or yogic strand, which involves meditation and spiritual disciplines. The goddess is understood as highest wisdom, brahmajnana; she is encountered in initiations, visualizations, spiritual travel and practice of the three Shakta bhavas. The third type is the devotional or bhakti strand, which involves the intense love of a particular form of the goddess. Shakti/Devi is willing to descend from her paradise to bless her human devotees, and her presence can be felt in religious worship. These types are often found in combined form, like strands of a rope braided together. However, there are tensions which exist within and between these strands. The folk/tribal strand often emphasizes regionalism and competition between local forms of the goddess. The tantric/ yogic strand opposes those goddesses who represent infinite consciousness with those magical goddesses who move through inner worlds and grant supernatural powers. The devotional strand has tensions between goddesses understood as individual living deities and goddesses who exist as symbols of universal principles. We shall also briefly note how traditional Shakta ideas have been incorporated into nationalism by politicians, and into hedonism by modern entrepreneurs.
Prof. June McDaniel: is Professor Emerita in History of Religions
in the Department of Religious Studies at the College of Charleston. Her PhD was from the University of Chicago, and her MTS was from Emory University. Her research areas include Mysticism, Religions of India, Psychology of Religion, Women and Religion, and Ritual Studies. She did several years of field research in West Bengal, funded by Fulbright and the American Institute of Indian Studies, which focused on religious experience and modern Shaktism. Her books include: Lost Ecstasy: Its Decline and Transformation in Religion (Palgrave Macmillan, 2018), Offering Flowers, Feeding Skulls: Popular Goddess Worship in West Bengal (Oxford University Press, 2004), Making Virtuous Daughters and Wives: An Introduction to the Brata Rituals of Bengal (State University of New York Press, 2003), and The Madness of the Saints: Ecstatic Religion in Bengal (University of Chicago Press, 1989). Edited volumes include: Religious Experience in the Hindu Tradition. Religions (journal, Routledge 2019), and Perceiving the Divine through the Human Body: Mystical Sensuality, edited by Thomas Cattoi and June McDaniel. (Palgrave Macmillan, 2011). Her current work draws comparisons between Bengali and Balinese Hinduism, and examines religious emotion in different traditions.